List of works Die Stem van Suid-Afrika Liefdesonsin Langenhoven at the Hofmeyer Hall Arbeidsgenot
 Hofmeyer Hall Photo by Willem Malherbe |  Langenhoven sculpture by an unknown Italian artist See also Artist's portraits of famous Stellenbosch Authors |  A sundial for Langenhoven at Oudtshoorn From left: D.v.d. Riet Wooley (Chief Astronomer), G O Neser who constructed the sundial, Sarah Goldblatt (Langenhoven's former assistant and executioner of his will), Jannie de Villiers, (Rector of Stellenbosch University) and Bun Booyens |
Cornelis Jacob Langenhoven was born on 13 August 1873 on the farm Hoeko near
Ladismith, Cape Province. His mother died five days later and Cornelis was
raised by his aunt and uncle. He received his first education from several
governesses and the excellent Dutch Meester Bloemkolk. After schools in Ladismith and
Riversdale he studied at the Victoria College in Stellenbosch (BA 1895). At
that time Stellenbosch did not have a Law Faculty. Langenhoven became
apprentice to a solicitor in Ladismith and, in 1899, obtained - after private
studies - a LL.B. at the University of Good Hope in Cape Town. He then worked
as an attorney in Cape Town and in Oudtshoorn.
Langenhoven made a stand for the acceptance of Afrikaans in general and as the first language in schools instead of Dutch. In 1910 he wrote the article, The problem of the dual language in South Africa.
1912: Editor of the Oudtshoorn newspaper Het Zuid-Westen.
In 1914 he became Member of Oudtshoorn's Provincial Board of Directors and later Senator of the Cape.
26 July 1915 saw the first edition of Die Burger and under the pseudonym Sagmoedige Neelsie Langenhoven contributed a regular column.
Langenhoven was instrumental in the movement for the acceptance of Afrikaans as a language, in general and as the first language in schools, instead of Dutch. This culminated in the language officially being used in parliament in 1925, and by 1927 was recognised as an official language of South Africa, together with English.
Found in Wikipedia
Langenhoven remained in close contact with his Alma
mater in Stellenbosch and returned often to give one of his fiery speeches.
In 1897 he was married to Magdalena Maria (Vroutjie) Hugo, a widow with three children. Their only daughter, Engela was born in 1901.
Kerneels Langenhoven died on 15 July 1932 at Oudtshoorn. After his wife's death, their home, Arbeidsgenot ("the pleasure of work"), was turned into a museum in 1955. They lived there from 1901 until 1950. In 1973, on the occasion of the centennary of his birthday, a
sculpture of Langenhoven by Olgo Pieri was installed in his memory at the University of Stellenbosch and a sun dial built after his design (from 1926).
Langenhoven was 'n aartsrebel, 'nonkonformis, maar tewens iemand met 'n sterk prinsipiële gerigtheid.
J du P Erlank
| His own words written on his tombstone: Soek nie om sy verdienst na te gaan |
Langenhoven wrote South Africa's anthem Die Stem van Suid-Afrika (1918), the first detective novel in Afrikaans, Donker Spore (1926), the first translation into Afrikaans of Omar Khayyam's Rubáiyát, and
retold stories from the Bible.
His autobiography: U dienswillige dienaar, was published in 1932. A collection of his essays that appeared in Die Burger was published posthumously in 1941: Aan stille waters.
Langenhoven's Versamelde werke, were published first in 14 volumes (Cape Town, 1933 -1937 and later in 16
volumes (from 1949).
 Loeloeraai |  Beste spookstories |  J.P. Scannell: Spreuke Van Langenhoven |
| Including: Stukkies en brokkies, a collection of poetry, stories and essays, 1911 (later enlarged: Ons weg deur die wêreld, 1913) Afrikaanse verjaardag-boekie, 1912 Sonde met die bure, 1921 Sonde met die bure (eBook) Doppers en Filistyne, 1921 Die Lig van verre dae, 1924 Herrie op die óu tremspóór, 1925 Herrie op die óu tremspóór (ebook) Skaduwees van Nasaret, 1927 (was awarded the Hertzog Prize) 'n Fragment uit 'n onuitgeebare boek Lied van die harlekyn Pessimisme en optimisme Plays: | Children's books and ghost stories: Die eensame hoop, 1922 Brolloks en Bittergal, 1925 ( Revised edition by Leon Rousseau, Human & Rousseau, 2008 ) Mof en sy mense, 1926 Die Krismiskinders, 1927 Die boekie sonder naam, 1928 Verhaaltjies, 1931 Kootjie Totjie (illustrated by Marjorie van Heerden) Geeste op aarde, 1924 Legal, historical and political works: On the use of Afrikaans: Brolloks en Bittergal Revised edition by Leon Rousseau, Human & Rousseau, 2008 |
These words were set to music by the Reverend Marthinus Lourens de Villiers in 1921.
| Die Stem van Suid-Afrika Uit die blou van onse hemel, uit die diepte van ons see, In die merg van ons gebeente, in ons hart en siel en gees, In die songloed van ons somer, in ons winternag se kou, Op U Almag vas vertrouend het ons vadere gebou: | The Call of South Africa Ringing out from our blue heavens, from our deep seas breaking round; |
Lamtietie, damtietie, doedoe my liefstetjie,
Moederhartrowertjie, dierbaarste diefstetjie!
Luister hoe fluister die wind deur die boompietjie:
Heen en weer wieg hy hom al oor die stroompietjie.
"Doedoedoe bladertjies,So sing die windjie vir blaartjies en blommetjies.
Slapenstyd nadertjies;
Doedoedoe blommetjies,
Nag is aan 't kommetjies:
"Tietewiet, koeroeroetSo noem die voëltjie haar kuikentjies kindertjies.
Pierewiet, toetoeloet!
Doedoe my kindertjies,
Wat sal dan hindertjies?"
"Trippetrip, koeloeloem.Sus immer, suis immer, ruis immer, rus nimmer.
Oor die klip doemeloem!"
Stroompie die rus nimmer,
Stroompie die sus immer,
Kalfies en lammertjiesMoedertjies huil oor die kalfies en lammertjies.
Vér van die mammetjies
Natjies en klammetjies
Koudjies en jammertjies!
"Wees maar gerustetjies,Vuurvliegies, lugliggies, ewige sterretjies!
Slaap maar met lustetjies!"
So sing die sterretjies
Stilletjies, verretjies:
Seewiegie, sus hulle!Sussende, suisende, wiegende watertjies.
Seekoelte, kus hulle!
Vér van hul matertjies,
Wyd op die watertjies
Los van die krammetjie,Dan na die lêplek, geduldige ossietjies!
Dan na die dammetjie,
Dan by die bossietjies
Bekkie vol kossietjies
Pappa vra: "Praat hul van Pappa vanaendjie?Kook hy sy keteltjie daar by die vlammetjie.
Pad is so lank en so verre vandaantjie!"
Pappa maak vlammetjie
Daar by die dammetjie,
Treurig en eensaampies,
Vér en alleensaampies,
Huis toe na Mammetjie,Pappa kom huis toe na kindjie en Mammetjie.
Huis toe na lammetjie,
Weg van die vlammetjie,
Weg van die dammetjie,
Doedoe dan, liefstetjie,Wiegies maar, sussies maar, kindjielief tapies maar!
Moeder se diefstetjie!
Doedoe maar, tapies maar
Moedertjie wakies maar,
Bly maar by Moedertjie,Doekies dan, doekies in Moeder se arrempies!
Kindlief se hoedertjie
Slaap in haar arrempies,
Saggies en warrempies
Hofmeyer Hall, 39, Church Street. At Langenhoven's time known as the CVJ Hall (Cristelijke Jongelieden Vereniging - Young Christians' Association).
The Church Council of the Moeder Kerk renamed the classicist hall , with its Ionic columns and Greek pediment, after the man, whose Bible classes led to the erection of the building (in 1900): N J Hofmeyer, one of the first two professors of the Stellenbosch seminary.
Ex students, of some 50 or 60 years ago, remember the CVJ Hall primarily as a venue for well-attended meetings of the debating societies and student mass meetings.
There was, for instance, the night in March 1930 when C J Langenhoven addressed the Union Debating Society. Having been introduced by the chairman, Langenhoven took a step forward, stared intently over the heads towards the back of the hall, pointed dramatically at the door behind us, and called out in a loud voice: "My friend, what lies around the corner?" We, foolish young students, spun around in concert to see who the friend might be. But with this trick, Langenhoven had caught our attention, and once the laughter had subsided, proceeded to deliver a brilliant talk on all that might await us "around the corner."
Text by Ters van Huyssteen
www.StellenboschWriters.com © Rosemarie Breuer
Books