Graphic artist, Potter and Photographer
Nicole was born on 9 April 1949 in the Congo, where she grew up until her immigration to South Africa in 1967. She is of Belgian nationality and French speaking.
From 1968 she studied, qualified and worked as a graphic artist. She started a Pottery studio, Le Studio, and specialized in teaching in stoneware, Eastern glazes and brushwork decorating methods. After 42 years of hard, enjoyable work in this line she closed her Pottery Studio in 2010.
Nicole had numerous Ceramic Exhibitions and received various awards for her work.
Photography and workshops:
From 1991 Nicole developed an ardent interest in photography and in 1997, her passion for teaching led to the presentation of a basic photographic course called DANCE OF LIGHT, which continues to date.
She served as Chairman of the Helderberg Photographic Society in Somerset West for 3 years and became an honorary member in 2008. She delivered many lectures at Stellenbosch University, various congresses and colleges, and presented photographic seminars in all main cities of the country.
Together with her husband Guy and son Eric, Nicole offers Digital Photographic Weekend Workshops consisting of photographic shoots and lectures mainly in the Stellenbosch area. In 2001 she began to offer DESERT LIGHT photographic workshops with colleagues in the Namib Desert. Since 2002 she added more workshops:
Macro styles and techniques, landscapes around Stellenbosch and at the De Hoop Nature Reserve and creative ways to photograph people.
Exhibitions of her photographs include:
'Images on Canvas' in 2007 and 'Impromptu' in 2010 at Stellenbosch University Gallery.
La Cité Internationale des Arts, Paris 2009
Fly fishing in Jonkershoek
Moon rise over Dina Namibia
When I am in the field and something stirs in me, I need to assess the technical side before pushing the shutter release, but if I simply take a photograph at this stage, it is rarely inspired.
Only by consciously switching back to my intuitive emotional response can I begin to visualize the illusionary power an image could create.
As it is most important to understand what motivates me when taking an image, I like to give myself the challenge of translating my feelings about a subject I explore and approach it from different angles.
The questions asked are:
When do I capture in my subjects:
a simple Record shot - point at the subject and shoot without pictorial or exposure quality.
a Documentary shot - has pictorial quality and correct exposure, for identification.
With the last 4 points, an emotional and philosophical impression can be created depending on the metaphorical interpretation of the physical phenomena depicted.
When I discover a landscape that fascinates me, I need to explore it and make it my own, which results in a vision that comes through exploring my perception of reality. Only then, can I hope to capture something unique. I follow the "Dance of Light".
Sunburst and Spectral Highlights
Exhuberance of autumn
To create these Impressionist Images, I have to start with a conventional approach. The digital camera allows me to immediately examine the results on the monitor and observe very carefully the contrasts of light and dark as well as the general visual movement in the composition of my photographs. Then only, can I start using the various camera movements that will be complementary to the design of these images and accentuate amazing textures. The motion of the camera often soften a busy situation and helps me to convey more strongly the spirit of a place by simplifying the landscapes and removing the context until I capture the essence and energy of the subjects I explore. This process is exhilarating, due to the aspect of chance, every frame is different! I immerse myself so intensely for hours at a time that this technique has become another way to depict the depth of my experience in understanding and appreciating, not only the beauty in front of me, but also clarifying what it truly means to me to observe my environment and be so acutely in tune with my subjects. It becomes a personal interpretation of the subjects that fascinate me.
THERE IS NO SUCH THING AS REALITY, ONLY PERCEPTIONS.
www.StellenboschWriters.com © Rosemarie Breuer